Comedy and Tragedy in Alan Moore's "Watchmen"

The world is a tragedy to he who feels and a comedy to he who thinks, was peerless of the main sentiments voiced by dramatist Mark Cole--he tied it into irony and tried to illustrate how the alike(p) event, given a change in time or perspective, screwing recognisem very different. The first thing I thought of when I heard this was The comedian. In Alan Moores brilliant graphic unexampled Watchmen, cited in Wizard: The Comics Magazine as the best American funny of the Twentieth Century, the plot begins with the death of a clothe vigilance man (read: super-hero) called The comedian. Watchmen is to comic books what Citizen Kane is to cinema in more ways than one(a)--besides having the nature of being the best piece of American accompanying artwork ever produced (certainly the best of the superhero genre), Watchmen mirrors Citizen Kane in its structure--starting with the death of a commutation character and working back contendds. At the start of the book, its hard to empathise with The Comedian--but though he is non the main character of the story, its hushed in many ways the tale of his development. We begin to see that The Comedian started out as a gimmick and a cool off costume idea, but that after volunteering for special responsibility during the war in Vietnam and returning to a country where not entirely were veterans not appreciated, but where superheroes had been formally outlawed in his absence, The Comedian was a bitter man haunted by the ironies of the universe. there are several monologues in the story, all ending in Its all so damn funny, and not a one of which is particularly funny to the reader. The Comedian throughout the story is picture as a character who goes from one who thinks (he thinks the world is just... If you adopt to get a full essay, order it on our website: BestEssayCheap.com

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